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・ Giulio Pontedera
・ Giulio Prandi
・ Giulio Prinetti
・ Giulio Prisco
・ Giulio Quaglio
・ Giulio Quaglio III
・ Giulio Quaglio the Elder
・ Giulio Quaglio the Younger
・ Giulio Questi
・ Giulio Racah
・ Giulio Raibolini
・ Giulio Regondi
・ Giulio Ricordi
・ Giulio Rinaldi
・ Giulio Roma
Giulio Romano
・ Giulio Romano Vercelli
・ Giulio Rosati
・ Giulio Rossi
・ Giulio Rusconi
・ Giulio Sabbi
・ Giulio Sabino
・ Giulio Salvadori
・ Giulio Sanseverino
・ Giulio Saraudi
・ Giulio Sarrocchi
・ Giulio Scandella
・ Giulio Scarnicci
・ Giulio Scarpati
・ Giulio Segni


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Giulio Romano : ウィキペディア英語版
Giulio Romano

Giulio Romano (c. 1499 – 1 November 1546) was an Italian painter and architect. A pupil of Raphael, his stylistic deviations from high Renaissance classicism help define the 16th-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of 16th-century Italian style throughout Europe.
==Biography==

Giulio Romano was born in Rome.
In his native city, as a young assistant in Raphael's studio, he worked on the frescos in the Vatican loggias to designs by Raphael and in Raphael's ''Stanze'' in the Vatican painted a group of figures in the ''Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. After the death of Raphael in 1520, he helped complete the Vatican frescoes of the life of Constantine as well as Raphael's ''Coronation of the Virgin'' and the ''Transfiguration'' in the Vatican. In Rome, Giulio decorated the Villa Madama for Cardinal Giuliano de' Medici, afterwards Clement VII. The crowded Giulio Romano frescoes lack the stately and serene simplicity of his master.
After the Sack of Rome in 1527 and the death of Leo X, artistic patronage in Rome slackened. Vasari tells how Baldassare Castiglione was delegated by Federico Gonzaga to procure Giulio to execute paintings and architectural and engineering projects for the duchy of Mantua. His masterpiece of architecture and fresco painting in that city is the suburban Palazzo Te, with its famous illusionistic frescos (c. 1525–1535). He also helped rebuild the ducal palace in Mantua, reconstructed the cathedral, and designed the nearby Church of San Benedetto. Sections of Mantua that had been flood-prone were refurbished under Giulio's direction, and the duke's patronage and friendship never faltered: Giulio's annual income amounted to more than 1000 ducats. His studio became a popular school of art.
In Renaissance tradition, many works of Giulio's were only temporary. According to Giorgio Vasari:
He traveled to France in the first half of the 16th century and brought concepts of the Italian style to the French court of Francis I.
Giulio also designed tapestries. It is rumored that he contributed to the drawings upon which the album ''I Modi'' was engraved by Marcantonio Raimondi. He died in Mantua in 1546. According to Giorgio Vasari, his best pupils were Giovanni dal Lione, Raffaellino dal Colle, Benedetto Pagni, Figurino da Faenza, Giovanni Battista Bertani and his brother Rinaldo, and Fermo Guisoni.
Giulio Romano has the distinction of being the only Renaissance artist to be mentioned by William Shakespeare. In Act V, Scene II of ''The Winter's Tale'' Queen Hermione's statue is by "that rare Italian master, Julio Romano", although Giulio was not a sculptor.

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